NARRATOR: Now, on NOVA, take a thrill ride into a world stranger than science fiction, where you play the game by breaking some rules, where a new view of the universe pushes you beyond the limits of your wildest imagination. This is the world of "string theory," a way of describing every force and all matter from an atom to earth, to the end of the galaxies—from the birth of time to its final tick, in a single theory, a "Theory of Everything." Our guide to this brａｖe new world is Brian Greene, the bestselling author and physicist.
BRIAN GREENE (Columbia University): And no matter how many times I come here, I never seem to get used to it.
NARRATOR: Can he help us solve the greatest puzzle of modern physics—that our understanding of the universe is based on two sets of laws that don't agree?
NARRATOR: Resolving that contradiction eluded even Einstein, who made it his final quest. After decades, we may finally be on the verge of a breakthrough. The solution is strings, tiny bits of energy vibrating like the strings on a cello, a coｓｍic symphony at the heart of all reality. But it comes at a price: parallel universes and 11 dimensions, most of which you've never seen.
BRIAN GREENE: We really may live in a universe with more dimensions than meet the eye.
AMANDA PEET (University of Toronto): People who hａｖe said that there were extra dimensions of space hａｖe been labeled crackpots, or people who are bananas.
NARRATOR: A mirage of science and mathematics or the ultimate theory of everything?
S. JAMES GATES, JR. (University of Maryland): If string theory fails to provide a testable prediction, then nobody should believe it.
SHELDON LEE GLASHOW (Boston University): Is that a theory of physics, or a philosophy?
BRIAN GREENE: One thing that is certain is that string theory is already showing us that the universe may be a lot stranger than any of us ever imagined.
NARRATOR: Coming up tonight, the undeniable pull of strings.
BRIAN GREENE:The atmosphere was electric. String theory goes through a revolution of its own...
MICHAEL DUFF (University of Michigan): Five different string theories...
BRIAN GREENE: ...and reveals the new shape of things to come.
SａｖAS DIMOPOULOS (Stanford University): Perhaps we live on a three-dimensional membrane.
BRIAN GREENE: Our universe might be like a slice of bread.
BRIAN GREENE: We're trapped on just a tiny slice of the higher dimensional universe.
ALAN GUTH (Massachusetts Institute of Technology): That's actually a problem.
NARRATOR: Watch the Elegant Universe right now.
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BRIAN GREENE: Imagine that we were able to control space or control time. The kinds of things that we'd be able to do would be amazing. I might be able to go from here...to here...to here...to here...and over to here in only an instant.
Now, we all think that this kind of trip would be impossible. And it probably is. But in the last few years, our ideas about the true nature of space and time hａｖe been going through some changes. And things that used to seem like science fiction are looking not-so-far-fetched.
It's all thanks to a revolution in physics called "string theory," which is offering a whole new perspective on the inner workings of the universe.
JOSEPH LYKKEN (Fermilab): String theory holds out the promise that we can really understand questions of why the universe is the way it is at the most fundamental level.
DａｖID GROSS (University of California, Santa Barbara): String theory is really the Wild West of physics.
MICHAEL B. GREEN (University of Cambridge): This is an area of theoretical physics which is so radically different from anything that's been before.
BRIAN GREENE: This radical new theory starts with a simple premise: that everything in the universe, the Earth, these buildings, even forces like grａｖity and electricity, are made up of incredibly tiny, vibrating strands of energy called "strings."
And ｓｍall as they are, strings are changing everything we thought we knew about the universe, especially our ideas about the nature of space.
To see how, let's first shrink all of space to a more manageable size. Imagine that the whole universe consisted of nothing more than my hometown, Manhattan. So now, just one borough of New York City makes up the entire fabric of space.
And just for kicks, let's also imagine that I'm the CEO of a large corporation with offices on Wall Street. And because time iｓ ｍoney, I need to find the quickest route from my apartment, here in upper Manhattan to my offices in lower Manhattan.
Now, we all know that the shortest distance between two points is a straight line, but even if there's no traffic—a bit of a stretch even in our imaginary Manhattan—it'll still take us some amount of time to get there. By going faster and faster, we can reduce the trａｖel time. But because nothing can go faster than the speed of light, there is a definite limit to how much time we can cut from our journey.
Thiｓ ｍanhattan Universe fits with an old, classical vision of space, basically a flat grid that's static and unchanging. But when Albert Einstein looked at the fabric of space, he saw something completely different. He said that space wasn't static; it could warp and stretch.
And there could even be unusual structures of space called "wormholes." A wormhole is a bridge or tunnel that can link distant regions of space, in effect, a coｓｍic shortcut. In this kind of universe, my commute would be a New Yorker's dream.
But there's a hitch: to create a wormhole, you've got to rip or tear a hole in the fabric of space. But can the fabric of space really rip? Can this first step toward forming a wormhole actually happen? Well, you can't answer these questions on an empty stomach.
Turns out that by looking at my breakfast—coffee and a doughnut—we can get a pretty good sense of what string theory says about whether the fabric of space can tear.
Imagine that space is shaped like this doughnut. You might think that it would be very different from a region of space shaped like this coffee cup. But there's a precise sense in which the shape of the doughnut and the coffee cup are actually the same, just a little disguised. You see, they both hａｖe one hole. In the doughnut it's in the middle and in the coffee cup it's in the handle. That means we can change the doughnut into the shape of a coffee cup and back again without hａｖing to rip or tear the dough at all.
Okay, but suppose you want to change the shape of this doughnut into ａ ｖery different shape, a shape with no holes. The only way to do that is to tear the doughnut like this and then re-shape it.
Unfortunately, according to Einstein's laws, this is impossible. They say that space can stretch and warp, but it cannot rip. Wormholeｓ ｍight exist somewhere fully formed, but you could not rip space to create a new one, over Manhattan or anywhere else. In other words, I can't take a wormhole to work.
But now string theory is giving us a whole new perspective on space, and it's showing us that Einstein wasn't always right. To see how, let's take a much closer look at the spatial fabric.
If we could shrink down to about a millionth of a billionth of our normal size, we'd enter the world of quantum mechanics, the laws that control how atoms behａｖe. It's the world of light and electricity and everything else that operates at the ｓｍallest of scales. Here, the fabric of space is random and chaotic. Rips and tearｓ ｍight be commonplace. But if they were, what would stop a rip in the fabric of space from creating a coｓｍic catastrophe?
Well, this is where the power of strings comes in. Strings calm the chaos. And as a single string dances through space, it sweeps out a tube. The tube can act like a bubble that surrounds the tear, a protective shield with profound implications. Strings actually make it possible for space to rip.
Which means that space is far more dynamic and changeable than even Albert Einstein thought. So does that mean that wormholes are possible? Will I ever be able to take a stroll on Everest, grab a baguette in Paris and still make it back to New York in time for my morning meeting?
It would be kind of cool, though it's still ａ ｖery distant possibility.
But one thing that is certain is that string theory is already showing us that the universe may be a lot stranger than any of us ever imagined. For example, string theory says we're surrounded by hidden dimensions, mysterious places beyond the familiar three-dimensional space we know.
AMANDA PEET: People who've said that there were extra dimensions of space, hａｖe been labeled as, you know, crackpots or people who are bananas. I mean, what, do you think there are extra dimensions? Well, string theory really predicts it.
BRIAN GREENE: What we think of as our universe could just be one ｓｍall part of something much bigger.
SａｖAS DIMOPOULOS: Perhaps we live on a membrane, a three-dimensional membrane that floats inside higher dimensional space.
BRIAN GREENE: There could be entire worlds right next to us, but completely invisible.
NIMA ARKANI-HAMED (Harvard University): These other worlds would, in ａ ｖery literal sense, be, be parallel universes. This isn't a particularly exotic or, or strange notion.
BRIAN GREENE: No wonder physics students are lining up to explore the strange world of string theory.
SHELDON LEE GLASHOW: String theory is very active. Things are happening. There are a lot of people doing it. Most of the young kids, given the choice, at a ratio of something like ten to one, they will go into string theory.
BRIAN GREENE: But strings weren't always this popular. The pioneers of string theory struggled for years, working alone on an idea that nobody else believed in. Here's the gist of it: for decades, physicists believed that the tiniest bits inside an atom were point particles. Flying around the outside were the electrons, and inside were protons and neutrons which were made up of quarks. But string theory says that what we thought were indivisible particles are actually tiny, vibrating strings.
BURT OVRUT (University of Pennsylvania): It's nothing really mystical. It's a really tiny string. It either closes in to its little circle or it has end points, but it's just a little string.
BRIAN GREENE: In the 1980s, the idea caught on, and people started jumping on the string bandwagon.
MICHAEL B. GREEN: Well, the fact that suddenly all these other people were working in the field had its advantages and its disadvantages. It was wonderful to see how rapidly the subject could develop now, because so many people were working on it.
BRIAN GREENE: One of the great attractions of strings is their versatility. Just as the strings on a cello can vibrate at different frequencies, making all the individual musical notes, in the same way, the tiny strings of string theory vibrate and dance in different patterns, creating all the fundamental particles of nature. If this view is right, then put them all together and we get the grand and beautiful symphony that is our universe.
What's really exciting about this is that it offers an amazing possibility. If we could only master the rhythms of strings, then we'd stand a good chance of explaining all the matter and all the forces of nature, from the tiniest subatomic particles to the galaxies of outer space. This is the potential of string theory, to be a unified "Theory of Everything."
But, at first sight, in our enthusiaｓｍ for this idea, we seem to hａｖe gone too far. Because we didn't produce just one string theory, or even two—we somehow managed to come up with five.
MICHAEL DUFF (University of Michigan): Five different string theories, each competing for the title of the Theory of Everything.
BURT OVRUT: And if there's going to be a "The Fundamental Theory of Nature," there ought to be one of them.
AMANDA PEET: I suppose a number of string theorists thought, "Ah, that's fantastic. That's wonderful. And maybe one of these will end up being the right theory of the world." And yet, there must hａｖe been a little nagging voice at the back of the head that said, "Well, why are there five?"
BRIAN GREENE: With five competing players, the stage of string theory was looking a little crowded. The five theories had many things in common. For example, they all involved vibrating strings, but their mathematical details appeared to be quite different. Frankly, it was embarrassing. How could this unified Theory of Everything come in five different flａｖors?
This was a case where more was definitely less. But then something remarkable happened. This is Ed Witten. He's widely regarded as one of the world's greatest living physicists, perhaps even Einstein's successor.
MICHAEL B. GREEN: Ed Witten is ａ ｖery special person in the field. He clearly has a grasp, particularly of the underlying mathematical principles, which is far greater than most other people.
JOSEPH POLCHINSKI (University of California, Santa Barbara): Well, you know, we all think we're very ｓｍart; he's so much ｓｍarter than the rest of us.
BRIAN GREENE: In 1995, string theorists from all over the world gathered at the University of Southern California for their annual conference. Ed Witten showed up at Strings 95 and rocked their world.
EDWARD WITTEN (Institute for Advanced Study): I was really trying to think of something that would be significant for the occasion. And actually, since five string theories was too many, I thought I would try to get rid of some of them.
BRIAN GREENE: To solve the problem, Witten constructed a spectacular new way of looking at string theory.
JOSEPH POLCHINSKI: Ed announced that he had thought about it, and moreover, he had solved it. He was going to tell us the solution to every string theory in every dimension, which was an enormous claim, but coming from Ed it was not so surprising.
BRIAN GREENE: The atmosphere was electric because, all of a sudden, string theory, which had been going through a kind of doldrums, was given an incredible boost, a shot in the arm.
LEONARD SUSSKIND (Stanford University): Ed Witten gａｖe his famous lecture. And he said a couple of words that got me interested...and for the rest of the lecture...I got hooked up on the first few words that he said, and completely missed the point of his lecture.
NATHAN SEIBERG (Institute for Advanced Study): I remember I had to give the talk after him, and I was kind of embarrassed to.
JOSEPH LYKKEN: Ed Witten just blew everybody away.
BRIAN GREENE: Ed Witten blew everybody away because he provided a completely new perspective on string theory. From this point of view, we could see that there weren't really five different theories. Like reflections in a wall of mirrors, what we thought were five theories turned out to be just five different ways of looking at the same thing. String theory was unified at last.
Witten's work sparked a breakthrough so revolutionary that it was given it's own name, "M-theory," although no one really knows what the M stands for.
S. JAMES GATES, JR.: Aah, what is the M for?
BURT OVRUT: M-theory.
STEVEN WEINBERG (University of Texas at Austin): M-theory.
DａｖID GROSS: M-theory.
JOSEPH LYKKEN: M-theory.
GARY HOROWITZ (Institute for Advanced Study): The M-theory.
STEVEN WEINBERG: M-theory is a theory...
BURT OVRUT: I don't actually know what the M stands for.
STEVEN WEINBERG: Well, the M has...
BURT OVRUT: I've heard many descriptions.
STEVEN WEINBERG: Mystery theory, magic theory...
JOSEPH LYKKEN: It's the Mother theory.
STEVEN WEINBERG: Matrix theory.
LEONARD SUSSKIND: Monstrous theory? I don't know what it...I don't know what Ed meant.
EDWARD WITTEN: M stands for magic, mystery or matrix, according to taste.
SHELDON LEE GLASHOW: I suspect that the "M" is an upside down "W" for "Witten."
EDWARD WITTEN: Some cynics hａｖe occasionally suggested that M may also stand for "murky," because our level of understanding of the theory is, in fact, so primitive. Maybe I shouldn't hａｖe told you that one.
BRIAN GREENE: Whatever the name, it was a bombshell. Suddenly everything was different.
JOSEPH LYKKEN: There was a lot of panic, if you like, realizing that big things were happening, and all of us not wanting to get left behind in this new revolution of string theory.
BRIAN GREENE: After Witten's talk, there was renewed hope that this one theory could be the theory to explain everything in the universe. But there was also a price to pay.
Before M-theory, strings seemed to operate in a world with 10 dimensions. These included one dimension of time, the three familiar space dimensions, as well as six extra dimensions, curled up so tiny that they're completely invisible.
GARY HOROWITZ: Well, we think these extra dimensionｓ ｅｘist because they come out of the equations of string theory. Strings need to move in more than three dimensions. And that was a shock to everybody, but then we learned to live with it.
BRIAN GREENE: But M-theory would go even further, demanding yet another spatial dimension, bringing the grand total to 11 dimensions.
BURT OVRUT: We know that there would hａｖe to be 11 dimensions for this theory to make sense. So there must be 11 dimensions. We only see three plus one of them. How is that possible?
BRIAN GREENE: For most of us, it's virtually impossible to picture the extra, higher dimensions: I can't. And it's not surprising. Our brains evolved sensing just the three spatial dimensions of everyday experience. So how can we get a feel for them?
One way is to go to the movies.
THEATER BRIAN GREENE: We're all familiar with the real world hａｖing three spatial dimensions. That is, anywhere I go, I can move left-right, back-forth, or up-down.
MOVIE SCREEN BRIAN (on screen): But in the movies, things are a bit different. Even though the characters on a movie screen look three-dimensional, they actually are stuck in just two dimensions. There is no back-forth on a movie screen, that's just an optical illusion.
To really move in the back-forth dimension, I'd hａｖe to step out of the screen. And sometimeｓ ｍoving into a higher dimension can be a useful thing to do.
MOVIE SCREEN BRIAN GREENE (in theater): So dimensions all hａｖe to do with the independent directions in which you can move. They're sometimes called "degrees of ｆｒｅｅｄｏｍ."
THEATER BRIAN GREENE: The more dimensions or degrees of ｆｒｅｅｄｏｍ you hａｖe, the more you can do.
MOVIE SCREEN BRIAN GREENE (in theater): That's right.
BRIAN GREENE: And if there really are 11 dimensions, then strings can do a lot more, too.
BURT OVRUT: People found, fairly soon, that there were objects that lived in these theories, which weren't just strings, but were larger than that. They actually looked like membranes or surfaces.
BRIAN GREENE: The extra dimension Witten added allows a string to stretch into something like a membrane, or a "brane" for short. A brane could be three-dimensional or even more. And with enough energy, a brane could grow to an enormous size, perhaps even as large as a universe.
This was a revolution in string theory.
STEVEN WEINBERG: String theory has gotten much more baroque. I mean now there are not only strings, there are membranes. People go on calling this string theory, but the string theorists are not sure it really is a theory of strings anymore.
BRIAN GREENE: The existence of giant membranes and extra dimensions would open up a startling new possibility, that our whole universe is living on a membrane, inside a much larger, higher dimensional space.
It's almost as if we were living inside...a loaf of bread? Our universe might be like a slice of bread, just one slice, in a much larger loaf that physicists sometimes call the "bulk."
And if these ideas are right, the bulk may hａｖe other slices, other universes, that are right next to ours, in effect, "parallel" universes.
Not only would our universe be nothing special, but we could hａｖe a lot of neighbors. Some of them could resemble our universe, they might hａｖe matter and planets and, who knows, maybe even beings of a sort.
Others certainly would be a lot stranger. They might be ruled by completely different laws of physics. Now, all of these other universes would exist within the extra dimensions of M-theory, dimensions that are all around us. Some even say they might be right next to us, less than a millimeter away.
But if that's true, why can't I see them or touch them?
BURT OVRUT: If you hａｖe a brane living in a higher dimensional space, and your particles, your atoms, cannot get off the brane, it's like trying to reach out, but you can't touch anything. It might as well be on the other end of the universe.
JOSEPH LYKKEN: It's ａ ｖery powerful idea because if it's right it means that our whole picture of the universe is clouded by the fact that we're trapped on just a tiny slice of the higher dimensional universe.
BRIAN GREENE: It is a powerful idea, especially because it may help solve one of the great mysteries of modern science. It has to do with grａｖity. It's been more than 300 years since Isaac Newton came up with the universal law of grａｖity, inspired, as the story goes, by seeing an apple fall from a tree. Today, it seems obvious that grａｖity is a powerful force.
SHELDON LEE GLASHOW: It would seem to most people that grａｖity is ａ ｖery important force, it's very strong. It's very hard to get up in the morning, stand up, and when things fall they break because grａｖity is strong. But the fact of the matter is that it's not strong. It's, it's really ａ ｖery weak force.
BRIAN GREENE: Grａｖity pulls us down to the Earth, and keeps our Earth in orbit around the sun. But in fact, we overcome the force of grａｖity all the time. It's not that hard. Even with the grａｖity of the entire Earth pulling this apple downward, the muscles in my arm can easily overcome it.
And it's not just our muscles that put grａｖity to shame. Magnets can do it, too, no sweat. Magnets carry a different force, the electromagnetic force. That's the same force behind light and electricity. It turns out that electromagnetiｓｍ iｓ ｍuch, much stronger than grａｖity.
Grａｖity, in comparison, is amazingly weak. How weak? The electromagnetic force is some thousand billion, billion, billion, billion times stronger. That's a one with 39 zeroes following it.
The weakness of grａｖity has confounded scientists for decades. But now, with the radical world of string theory, filled with membranes and extra dimensions, there's a whole new way to look at the problem.
NIMA ARKANI-HAMED: One way of approaching the question of why grａｖity is so weak compared to all the other forces, is to turn the question completely on its head, and say, "No, actually grａｖity isn't very weak. Compared to all the other forces, it just appears to be weak."
BRIAN GREENE: It may be that grａｖity is actually just as strong as electromagnetiｓｍ, but for some reason, we can't feel its strength.
SａｖAS DIMOPOULOS: Consider a pool table, ａ ｖery large pool table. Think of the surface of the pool table as representing our three-dimensional universe, although it is just two-dimensional, and think of the billiard balls as representing atoms and other particles that the universe iｓ ｍade out of.
BRIAN GREENE: So here's the wild idea: the atoms and particles that make up stuff in the world around us will stay on our particular membrane, our slice of the universe just as the billiard balls will stay on the surface of the pool table—unless you're a really bad pool player.
But whenever the balls collide, there is something that always seeps off the table, sound wａｖes. That's why I can hear the collision. Now, the idea is that grａｖity might be like the sound wａｖes, it might not be confined to our membrane. It might be able to seep off our part of the universe.
Or think about it another way. Instead of pool tables, let's go back to bread. Imagine that our universe is like this slice of toast. And that you and me, and all of matter—light itself, everything we see—is like jelly. Now jelly can move freely on the surface of the toast, but otherwise, it's stuck, it can't leａｖe the surface itself.
But what if grａｖity were different? What if grａｖity were more like cinnamon and sugar? Now, this stuff isn't sticky at all, so it easily slides right off the surface.
But why would grａｖity be so different from everything else that we know of in the universe? Well, turns out that string theory, or M-theory, provides an answer. It all has to do with shape.
For years, we concentrated on strings that were closed loops, like rubber bands. But after M-theory, we turned our attention to other kinds. Now we think that everything we see around us, like matter and light, iｓ ｍade of open-ended strings, and the ends of each string are tied down to our three-dimensional membrane.
But closed loops of string do exist, and one kind is responsible for grａｖity. It's called a grａｖiton. With closed loops, there are no loose ends to tie down, so grａｖitons are free to escape into the other dimensions, diluting the strength of grａｖity and making it seem weaker than the other forces of nature.
This suggests an intriguing possibility. If we do live on a membrane and there are parallel universes on other membranes near us, we may never see them, but perhaps we could one day feel them through grａｖity.
SａｖAS DIMOPOULOS: If there happens to be intelligent life on one of the membranes, then this intelligent life might be very close to us. So theoretically, and purely theoretically, we might be able to communicate with this intelligent life by exchanging strong grａｖity wａｖe sources.
BRIAN GREENE: So who knows? Maybe someday we'll develop the technology and use grａｖity wａｖes to actually communicate with other worlds.
ALIEN: Ay-yoo-ya.
BRIAN GREENE: Yes, hey, it's Brian. How you doing?
TRANSLATION: I told you never to call me during "The Simpsons!"
BRIAN GREENE: We don't really know if parallel universes could hａｖe a real impact on us. But there is one very controversial idea, which says they've already played a major role. In fact, it gives them credit for our existence.
As the classic story goes, the vast universe we see today was once extremely ｓｍall, unimaginably ｓｍall. Then, suddenly, it got bigger—a lot bigger—during the dramatic event known as the big bang.
The big bang stretched the fabric of space and set off the chain of events that brought us to the universe we know and love today. But there's always been a couple of problems with the big bang theory. First, when you squeeze the entire universe into an infinitesimally ｓｍall, but stupendously dense package, at a certain point, our laws of physics simply break down. They just don't make sense anymore.
DａｖID GROSS: The formulas we use start giving answers that are nonsensical. We find total disaster. Everything breaks down, and we're stuck.
BRIAN GREENE: And on top of this, there's the bang itself. What exactly is that?
ALAN GUTH: That's actually a problem. The classic form of the big bang theory really says nothing about what banged, what happened before it banged, or what caused it to bang.
BRIAN GREENE: Refinements to the big bang theory do suggest explanations for the Bang, but none of them turn the clock back completely to the moment when everything started.
PAUL STEINHARDT (Princeton University): Most people come at this with the na?ve notion that there was a beginning—that somehow space and time emerged from nothingness into somethingness.
BURT OVRUT: Well, I don't know about you, but I don't like nothing. Do I really believe that the universe was a big bang out of nothing? And I'm not a philosopher, so I won't say. But I could imagine to a philosopher, that is a problem. But to a physicist, I think, it's also a problem.
BRIAN GREENE: Everyone admits there are problems. The question is: "Can string theory solve them?" Some string theorists hａｖe suggested that the Big Bang wasn't the beginning at all, that the universe could hａｖe existed long before even forever. Not everyone is comfortable with the idea.
ALAN GUTH: I actually find it rather unattractive to think about a universe without a beginning. It seems to me that a universe without a beginning is also a universe without an explanation.
BRIAN GREENE: So what is the explanation? What if string theory is right, and we are all living on a giant membrane inside a higher dimensional space?
PAUL STEINHARDT: One of the ideas in string theory that was particularly striking to me, and suggested perhaps a new direction for coｓｍology, is the idea of branes and the idea of braneｓ ｍoving in extra dimensions.
BRIAN GREENE: Some scientists hａｖe proposed that the answer to the Big Bang riddle lies in the movements of these giant branes.
BURT OVRUT: It's so simple. Here's a brane on which we live, and here's another brane floating in the higher dimension. There's absolutely nothing difficult about imagining that these collide with each other.
BRIAN GREENE: According to this idea, some time before the big bang, two branes carrying parallel universes began drifting toward each other, until...
BURT OVRUT: All of that energy has to go somewhere. Where does it go? It goes into the big bang. It creates the expansion that we see, and it heats up all the particles in the universe in this big, fiery mass.
BRIAN GREENE: As if this weren't weird enough, the proponents of this idea make another radical claim: the big bang was not a special event.
They say that parallel universes could hａｖe collided, not just once in the past, but again and again—and that it will happen in the future. If this view is right, there's a brane out there right now, headed on a collision course with our universe.
PAUL STEINHARDT: So another collision is coming, and there'll be another big bang. And this will just repeat itself for an indefinite period into the future.
BRIAN GREENE: It's an intriguing idea. Unfortunately, there are a few technical problems.
DａｖID GROSS: Well, that was ａ ｖery ingenious scenario that arose naturally within string theory. However, the good old problems creep back in again.
BRIAN GREENE: The fact is we don't really know what happens when two branes collide. You can wind up with the same situation we had with the Big Bang; the equations don't make sense.
GARY HOROWITZ: They hａｖe to make a lot of assumptions in their models, and I don't think they've really solved the problem of the big bang in string theory.
BRIAN GREENE: If string theory is the one true theory of the universe, it will hａｖe to solve the riddle of the big bang. And there's a lot of hope that someday string theory will succeed. But for now, there's also a lot of uncertainty. As promising and exciting the theory is, we don't entirely understand it.
DａｖID GROSS: It's as if we've stumbled in the dark into a house, which we thought was a two bedroom apartment and now we're discovering is a nineteen-room mansion—at least. And maybe it's got a thousand rooms, and we're just beginning our journey.
BRIAN GREENE: So how sure are we that the universe is the way that string theory describes it? Is the world really made up of strings and membranes, parallel universes and extra dimensions? Is this all science or science fiction?
MICHAEL DUFF: Well, the question we often ask ourselves as we work through our equations is, "Is this just fancy mathematics, or is it describing the real world?'
S. JAMES GATES, JR.: These exercises in our imagination of mathematics are all, at the end of the day, subjected to a single question: "Is it there in the laboratory? Can you find its evidence?"
JOSEPH LYKKEN: String theory and string theorists do hａｖe a real problem. How do you actually test string theory? If you can't test it in the way that we test normal theories, it's not science, it's philosophy, and that's a real problem.
BRIAN GREENE: Strings are thought to be so tiny, much ｓｍaller than an atom, that there's probably no way to see them directly. But even if we never see strings, we may someday see their fingerprints. You see, if strings were around at the beginning of the universe, when things were really tiny, they would hａｖe left impressions or traces on their surroundings. And then, after the big bang, when everything expanded, those traces would hａｖe been stretched out along with everything else. So, if that's true, we may someday see the tell-tale signs of strings somewhere in the stars.
But even here on earth there's a chance we can detect evidence of strings. This pasture in Illinois serves as command central for a lot of this research. Well, actually, the real work happens underground where the hunt is on for evidence supporting string theory, including extra dimensions.
JOSEPH LYKKEN: Not too many years ago, people who talked about large extra dimensions would hａｖe been considered crackpots, to put it lightly.
BRIAN GREENE: But all that has changed, thanks to string theory.
This is Fermilab, and right now, it's our best hope for proving that extra dimensions are real. Fermilab has a giant atom ｓｍasher. Here's how it works: scientists zap hydrogen atoms with huge amounts of electricity. Later, they strip them of their electrons and send the protons zooming around a four mile circular tunnel beneath the prairie. Just as they're approaching the speed of light, they are steered into collisions with particles whizzing in the opposite direction.
Most collisions are just glancing blows, but occasionally there's a direct hit. The result is a shower of unusual subatomic particles. The hope is that among these particles will be a tiny unit of grａｖity, the grａｖiton.
Grａｖitons, according to string theory, are closed loops, so they can float off into the extra dimensions. The grand prize would be a snapshot of a grａｖiton at the moment of escape.
MARIA SPIROPULU (Fermilab): And then the grａｖiton goes to the extra dimension, and then it shows in the detector by its absence. You see it by its absence.
BRIAN GREENE: Unfortunately, Fermilab hasn't yet "seen" the vanishing grａｖiton. And the pressure is on, because another team is hot on the same trail. Four thousand miles away, on the border of France and Switzerland, a lab called CERN is constructing an enormous new atom ｓｍasher. When it's finished, it will be seven timeｓ ｍore powerful than Fermilab's.
JOSEPH LYKKEN: There's a great sense of urgency that every minute has to count, but eventually, CERN, our rival laboratory, will frankly blow us out of the water.
BRIAN GREENE: CERN will blow Fermilab out of the water, not only in the search for extra dimensions, but other wild ideas.
At the top of the "to do" list for both labs is the hunt for something called "supersymmetry," that's a central prediction of string theory. And it says, in a nutshell, that for every subatomic particle we're familiar with, like electrons, photons, and grａｖitons, there should also be a much heａｖier partner called a "sparticle," which so far no one has ever seen.
Now, because string theory says sparticles should exist, finding them is a major priority.
MARIA SPIROPULU: So, it's a big discovery to find supersymmetry. That's, that's a humongous discovery and, and I think it's a bigger discovery to find supersymmetry than to find life on Mars.
AMANDA PEET: If we were to hear tomorrow that supersymmetry was discovered, there would be parties all over the planet.
BRIAN GREENE: The problem is, if they exist, the sparticles of supersymmetry are probably incredibly heａｖy, so heａｖy that they may not be detected with today's atom ｓｍashers. The new facility at CERN will hａｖe the best chance, once it's up and running in several years, but that won't stop the folks at Fermilab from trying to find them first.
MARIA SPIROPULU: The competition is, is friendly and fierce at the same time. We're competing like bad dogs, essentially. It has always been like that, and it will always be like that.
JOSEPH LYKKEN: We hａｖe to make sure that we don't make any mistakes, that we do absolutely the best we can do at these experiments and take advantage of what is really one of the great golden opportunities for discovery.
BRIAN GREENE: If we do find sparticles, it won't prove string theory, but it will be really strong circumstantial evidence that we're on the right track. Over the next 10 to 20 years, the new generation of atom ｓｍashers is sure to uncover surprising truths about the nature of our universe.
But will it be the universe predicted by string theory? What if we don't find sparticles? Or extra dimensions? What if we never find any evidence that supports this weird new universe filled with membranes and tiny vibrating strings? Could string theory, in the end, be wrong?
MICHAEL DUFF: Oh yes, it's certainly a logical possibility that we've all been wasting our time for the last twenty years and that the theory is completely wrong.
JOSEPH LYKKEN: There hａｖe been periods of many years where all of the ｓｍart people, all of the cool people, were working on one kind of theory, moving in one kind of direction, and even though they thought it was wonderful, it turned out to be a dead end. This could happen to string theory.
BRIAN GREENE: Even though there's no real evidence yet, so much of string theory just makes so much sense; a lot of us believe it's just got to be right.
STEVEN WEINBERG: I don't think it's ever happened that a theory that has the kind of mathematical appeal that string theory has turned out to be entirely wrong. I would find it hard to believe that that much elegance and mathematical beauty would simply be wasted.
GARY HOROWITZ: I don't really know how close we are to the end. You know, are we almost there in hａｖing the complete story? Is it going to still be another ten years? Nobody knows. But I think it's going to keep me busy for a long time.
JOSEPH LYKKEN: We hａｖe been incredibly lucky. Nature has somehow allowed us to unlock the keys to many fundamental mysteries already. How far can we push that? We won't know until we, until we try.
BRIAN GREENE: A century ago, some scientists thought they had pretty much figured out the basic laws of the universe. But then Einstein came along and dramatically revised our views of space and time and grａｖity. And quantum mechanics unveiled the inner workings of atoms and molecules, revealing a world that's bizarre and uncertain.
So, far from confirming that we had sorted it all out, the 20th century showed that every time we looked more closely at the universe, we discovered yet another unexpected layer of reality.
As we embark on the 21st century, we're getting a glimpse of what may be the next layer: vibrating strings, sparticles, parallel universes and extra dimensions. It's a breathtaking vision, and in a few years, experimentｓ ｍay begin to tell us whether some of these ideas are right or wrong.
But, regardless of the outcome, we'll keep going, because, well, that's what we do. We follow our curiosity. We explore the unknown. And a hundred or a thousand years from now, today's view of the coｓｍoｓ ｍay look woefully incomplete, perhaps even quaint. But undeniably, the ideas we call string theory are a testament to the power of human creativity. They've opened a whole new spectrum of possible answers to age-old questions. And with them, we've taken a dramatic leap in our quest to fully understand this elegant universe.
On NOVA's Website, go behind the scenes with Brian Greene. Journey into the subatomic world, play with strings, picture other dimensions and much more. Find it on PBS.org.
To order this program on VHS or DVD, or the book, The Elegant Universe, please call WGBH Boston Video at 1-800-255-9424.
Next time on NOVA, a century after the Wright Brothers took flight, modern builders attempt to recreate the world's first airplane, but will their dreams take off? Wright Brothers' Flying Machine.
NOVA is a production of WGBH Boston.
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Funding for The Elegant Universe is provided by the Alfred P. Sloan Foundation, to enhance public understanding of science and technology.
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Additional funding is provided by Volkswagen of America.
And by the George D. ｓｍith Fund, and the U.S. Department of Energy, fostering science and security.
Major funding for NOVA is also provided by the Corporation for Public Broadcasting and viewers like you. Thank you.
PRODUCTION CREDITS
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The Elegant Universe
Hosted by
Brian Greene
Based on
The Elegant Universe by Brian Greene
Edited by
Dick Bartlett
Written, Produced and Directed by
Julia Cort Joseph McMaster
Welcome to the 11th Dimension
Series Producer and Director
Dａｖid Hickman
Series Coordinating Producer
Andrea Cross
Series Producer
Joseph McMaster
Director of Photography
Mike Coles
Sound Recordist
Keith Rodgerson
Assistant Camera
Richard Comrie
Animation
Edgeworx, Inc.
Red Vision
Visual Effects Supervisors
John Bair
Dick Bartlett
Music composed by
Ed Tomney
Additional Music
Asche & Spencer
Associate Producers
Barbara Park
Marty Johnson
Rob Meyer
Julie Crawford
Jennifer Callahan
Additional Editing
Jonathan Sahula
Rebecca Nieto
Additional Camera
James Callanan
Production Managers, London
Jane Moss
Tessa Pemberton
Catherine Alen-Buckley
Cellist
Nicole Cariglia
Online Editor
Dａｖid Tecson
Colorist
Greg Dildine, Finish Editorial
Audio Mix
Heart Punch Studio
John Jenkins, WGBH
Archival Material
AP / Wide World Photos
Image Bank Film/Archive Films/Getty Images
Science Museum/Science & Society Picture Library
ullstein bild Berlin
Special Thanks
Promotional Sponsor SEED Magazine
The Forrest Family
Institute for Advanced Study
Kodak Entertainment Imaging
Light Street, LLC
Muse Hotel, New York
Georgia Whidden
White Sands Space Harbor
Advisors
Melissa Franklin, Harvard University
Peter Galison, Harvard University
Jim Gates, University of Maryland
Paul Hickman, CESAME, Northeastern University
Joseph Polchinski, University of California, Santa Barbara
Frederick Stein, American Physical Society
Paul Steinhardt, Princeton University
Edwin Taylor, Massachusetts Institute of Technology
Stamatis Vokos, Seattle Pacific University
Steven Weinberg, University of Texas at Austin
NOVA Series Graphics
National Ministry of Design
NOVA Theme
Mason Daring
Martin Brody
Michael Whalen
Post Production Online Editor
Spencer Gentry
Closed Captioning
The Caption Center
NOVA Administrator
Queene Coyne
Publicity
Jonathan Renes
Diane Buxton
Tom Stebbins
Senior Researcher
Ethan Herberman
Production Coordinator
Linda Callahan
Unit Managers
Holly Archibald
Lola Norman-Salako
Paralegal
Nancy Marshall
Legal Counsel
Susan Rosen Shishko
Post Production Assistant
Patrick Carey
Associate Producer, Post Production
Nathan Gunner
Post Production Supervisor
Regina O'Toole
Post Production Editor
Rebecca Nieto
Post Production Manager
Maureen Barden Lynch
Supervising Producers
Lisa D'Angelo
Stephen Sweigart
Producer, Special Projects
Susanne Simpson
Coordinating Producer
Laurie Cahalane
Senior Science Editor
Evan Hadingham
Senior Series Producer
Melanie Wallace
Managing Director
Alan Ritsko
Senior Executive Producer
Paula S. Apsell
A NOVA Production for WGBH/Boston and Channel 4 in association with Dａｖid Hickman Films, Sveriges Television and Norddeutscher Rundfunk
